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| Danny Scheie | ||||
| SSDC | ||||
| Let the Northern Lights Erase My Name | Campo Santo, San Francisco | |||
| Fe in the Desert (Jessica Hagedorn World Premiere) | Campo Santo, San Francisco | |||
| The Plexiglass Slipper (Luigs and Warrender) | Asolo Theatre, Sarasota | |||
| Splittin' the Raft (Dean Goodman Award) | Marin Theatre Company | |||
| The Tamer Tamed | Shakespeare Santa Cruz | |||
| The Pavilion (Craig Wright) | Marin Theatre Company | |||
| The Pavilion (Dean Goodman Award) | Margaret Lesher Center Rep | |||
| The Comedy of Errors | Noise Within, Los Angeles | |||
| As Thousands Cheer | Marin Theatre Company | |||
| Cymbeline | Shakespeare Santa Cruz | |||
| The Comedy of Errors | Seattle Shakespeare Festival | |||
| Swallow Your Pride (David Mills) | Painted Bride, Philadelphia | |||
| The Comedy of Errors (SF Critics' Circle Winner) | Aurora Theatre, Berkeley | |||
| As Bees In Honey Drown (SF Critics' Circle Nomination; Dean Goodman Award) | Theatreworks, Palo Alto | |||
| What I Want (David Mills) | HERE, New York | |||
| The Last Hairdresser (GLAAD Media Award Nomination) | Zephyr Theatre, Los Angeles | |||
| Bill and Chuck and Scrooge (Danny Scheie) | The Marsh, San Francisco | |||
| The Lady in Question | Theatre Rhinoceros, San Francisco | |||
| Everything Must Go (David Mills) | HERE, New York | |||
| Intersection for the Arts, San Francisco | ||||
| Peacock Lounge, San Francisco | ||||
| Brain Souffle (Scott Capurro) | Battersea Arts Centre, London | |||
| The Pleasance, Edinburgh | ||||
| Up Jumped Springtime | Theatre Rhinoceros, San Francisco | |||
| Kinsey Sicks: The Balled Soprano | New Conservatory Theatre, San Francisco | |||
| Duty Free (David Mills) | Intersection for the Arts, San Francisco | |||
| The Mystery of Irma Vep (Backstage West Garland Nomination) | Magic Theatre, San Francisco | |||
| The Last Hairdresser (Critics' Circle Nomination) | Theatre Rhinoceros, San Francisco | |||
| Picnic | Marin Theatre Company | |||
| The Stand-In | Theatre Rhinoceros, San Francisco | |||
| The Tempest (Drama-Logue: Direction, Production) | Shakespeare Santa Cruz | |||
| Desk Set (Cable Car Nomination) | Theatre Rhinoceros, San Francisco | |||
| Merchant of Venice | Shakespeare Santa Cruz | |||
| Twelfth Night | Theatre Rhinoceros, San Francisco | |||
| "You Gotta Give 'Em Hope": Harvey Milk In His Own Words | Josie's Cabaret, San Francisco | |||
| Pete In Paradise (Doug Holsclaw) | Dobama Theatre, Cleveland | |||
| Cabaret | Josie's Cabaret, San Francisco | |||
| Taming of the Shrew | Shakespeare Santa Cruz | |||
| No No Nanette | San Jose Civic Light Opera | |||
| Midsummer Night's Dream | Shakespeare Santa Cruz | |||
| The Comedy of Errors | Shakespeare Santa Cruz | |||
| Once in a Lifetime | Shakespeare Santa Cruz | |||
| La Dispute (Marivaux: U.S. Premiere) | Guest Artist: Guilford College, North Carolina | |||
| Loot | Actor's Theatre, Santa Cruz | |||
| Taming of the Shrew | Shakespeare To Go, Shakespeare Santa Cruz | |||
| Hamlet | Shakespeare To Go, Shakespeare Santa Cruz | |||
| The Merchant of Venice | Shakespeare To Go, Shakespeare Santa Cruz | |||
| The Winter's Tale | Shakespeare To Go, Shakespeare Santa Cruz | |||
| A Woman Alone (Fo/Rame) | Berkeley Lunchtime Theatre | |||
| Merrily We Roll Along | University of California, Santa Cruz | |||
| Ruy Blas | University of California, Santa Cruz | |||
| The Most Fabulous Story Ever Told (Paul Rudnick) | University of California, Santa Cruz | |||
| Pieces of the Quilt (World Premieres by Tony Kushner, Henry David Hwang, Edward Albee, Craig Lucas and Danny Scheie; Also Danny Hoch, Midgalia Cruz, Naomi Iizuka, Lanford Wilson) | University of California, Santa Cruz | |||
| The Marriage of Figaro (Mozart) | University of California, Santa Cruz | |||
| Hedda Gabler | University of California, Santa Cruz | |||
| PhËdre (Racine) | University of California, Santa Cruz | |||
| A Lie of the Mind | University of California, Santa Cruz | |||
| Le Bourgois Avant-Garde (Charles Ludlam) | University of California, Santa Cruz | |||
| The School for FiancÈ(e)s | University of California, Santa Cruz | |||
| Die, Die, Diana | San Jose State University | |||
| What the Butler Saw | University of California, Berkeley | |||
| The Comedy of Errors | University of California, Berkeley | |||
| Macbeth | University of California, Berkeley | |||
| The Ruffian on the Stair | University of California, Berkeley | |||
| Waking Up (Fo/Rame) | University of California, Berkeley | |||
| The Stronger | University of Kent, Canterbury, England | |||
| Artistic Director: SHAKESPEARE SANTA CRUZ | (1992-1995) | |||
| King Lear (dir: Mark Rucker) | ||||
| The Dresser (dir: Michael Edwards) | ||||
| The Tempest (Scheie) | ||||
| The Rape of Tamar (U.S.premiere by Tirso de Molina, dir: Paul Whitworth) | ||||
| Merry Wives of Windsor (dir: Mark Rucker) | ||||
| Merchant of Venice (Scheie) | ||||
| All's Well That Ends Well (dir: Barbara Damashek) | ||||
| Doctor Faustus (dir: Jack Zerbe) | ||||
| Damn Yankees (dir: Mark Rucker) | ||||
| Comedy of Errors (Scheie) | ||||
| Stage Direction Staff, Metropolitan Opera, New York | (1991 - 1993) | |||
| Die Meistersinger von Nurmberg | ||||
| Assistant Director; Otto Schenk, Director | ||||
| B.A. Indiana University | ||||
| Diploma of Drama, University of Kent, Canterbury, England | ||||
| M.A., Ph.D., University of California, Berkeley | ||||
| Dr. Scheie's directing work has been the subject of features in Shakespeare Quarterly, American Theatre, Theatre Journal, Text and Performance, The Christian Science Monitor, and a panel at the World Shakespeare Conference. | ||||
| Consultant: Pixar Animation Studio; George Lucas, Lucasfilms, Industrial Light and Magic; San Jose Opera. | ||||
| Faculty: Stanford University, UC Berkeley, UC Santa Cruz, Berkeley Repertory Theatre | ||||